new icn messageflickr-free-ic3d pan white
"Demera" by Maître Afewerk Tekle, Addis Ababa, Ethiopia | by A.Davey
Back to photostream

"Demera" by Maître Afewerk Tekle, Addis Ababa, Ethiopia

This painting by The Most Honourable World Laureate Maître Artiste Afewerk Tekle (b. 1932) hangs in the National Museum in Addis Ababa, Ethiopia.


The painting's title, "Demera," comes from the bonfire depicted near the center of the image. A bonfire, called the Demera, is one of the central events in the Ethiopian Orthodox festival of Maskal, which commemorates the Finding of the True Cross.


The painting is dated 1974. It measures 100x125 cm.


What I find interesting about the piece, apart from its intrinsic value as a historical document, is it was painted the year Emperor Haile Selassie I was deposed by a communist junta. Emperor Haile Selassie I was forced to abdicate on September 12, 1974, two weeks before the festival of Maskal. I can't help thinking this piece reflects the artist's sentiments in favor of the Old Regime and against the coup.


- - - - - - - - - - - - - - -


The following description of the Maskal festival by Ermias Gulilat appears on the Web site of the Ethiopian Embassy in the UK:


Maskal is an ancient seasonal rite, which has become an integral part of the Ethiopian Christian Calendar. This national holiday has been celebrated throughout Ethiopia for centuries and is one of the most important annual festivals. The 26th September is the eve of Maskal, a feast commemorating the Finding of the True Cross.


By the middle of the afternoon the celebrations start. Many are seen wearing their brilliant white Ethiopian costumes. The occasion takes place at the Maskal square in Addis Ababa, near the church of Saint Estifanos. A colour procession of priests, deacons and choir boys and girls of Sunday schools wearing embroidered robes walk around a huge pyre, bearing ceremonial crosses and wooden torches decorated with olive leaves. As the sun begins to set, the torch-bearers move forward in unison to set alight the slender pyramid-shaped structure, topped with a cross made from the yellow flowers known as Maskal daisies which are placed on the tallest central pole.


The crowd of spectators are kept at bay while visitors are allowed to enter the inner circle in accordance with the Ethiopians age-old tradition of [hospitality]. The casually dressed tourists form an incongruous contrast as they brandish their cameras, while around them the procession of proud clergy clad in dazzling ceremonial robes chant as they perform this ancient rite.


The origins of the celebration are expressed in the Ethiopian manuscript of parchment. It is said to date back to the discovery of the Byzantine Queen of Helena of the cross on which Jesus Christ was crucified. According to the manuscript, in the 20th year of the reign of her son Constantine, she set off for Jerusalem in search of the ‘life giving cross,’ which she eventually found after many trials and tribulations. She is said to have forced the Jews to reveal the whereabouts of this ‘Honourable Cross’, which allegedly lay under the hill of Golgotha, formed from sweepings, ashes and offal piled on the grave of Jesus Christ.


Helena is said to have found the Cross by lighting incense and following the smoke as it descended to earth. She caused bonfires to be lit on the hills of Palestine which could be seen across the sea by the people of Constantinople.


So how did the rediscovered cross come to Ethiopia? According to Tefut, a massive volume dating from the 15th Century which records the detailed story of the acquisition of a fragment of the True Cross by Ethiopia. The Christian Kings of Ethiopia were often called upon in the early Middle Ages to protect Egyptian Copts against the Egyptian Muslims. In return for this delivery from Muslim persecution, fabulous gifts of precious gold were offered to Ethiopian Emperor Dawit. He rejected these offerings and asked instead for four pieces of the True Cross, which were under the custody of the patriarch of Alexandria. The request was granted and the pieces brought to Ethiopia. They were guarded on the journey by torchbearers and then deposited in a church at Gishen, in northern Wollo dedicated to the Virgin Mary. Rejoicing followed throughout the whole country and the Emperor ordered that the capes of the priests be embroidered with flowers. Since that day, Ethiopian Christians are believed to have commemorated the occasion with flaming torches and huge bonfires.


Emperor Dawit’s fourth son, Zara Yacob, succeeded him as Emperor and, when he was a very old man, dreamt that God ordered him to ‘place the cross upon a cross.’ Zara Yacob spent two years in abstinence, searching in seclusion, and at last discovered a mountain shaped like a cross. There he built the beautiful church of Egziabher Ab, and a fragment of the True Cross was kept within a gold box in the church. The priests of Gishen still safeguard this treasure along with the Tefut which is handwritten in Ge’ez on beautiful parchment.


Today Maskal is a religious and joyful annual social occasion that Christians throughout the country look forward to each year. Both women and men wear their national clothes, while youths boast and compete in fights with sticks. There is also jesting as well as flirting and courting sanctioned by the festival. These days, people return from the capital parade to their houses and bring the torches called Chibbo, to neighbourhood bonfire gatherings. The torchbearers chant as they circle the pyre, the Damera, (literally stack or pile of wooden torches), which are covered with cloth until a priest blesses it. The torchbearers then hurl their flames into the midst of the Dameras, while the gathering watches the blaze light up the night sky.


On the following day people go to the bonfire and make the sign of the cross on their foreheads with the ash. electronic-00/Ermias Gulilat - 1.htm




4 faves
Taken on October 22, 2007