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artist Louise Bourgeois


We don't care, we love it!


.•♫•♬•SONG •♬•♫•.


~Thanks @Elle for taking pic with me. She has loads of ideas when it comes to pic themes xDD Give me some inspirations! hahaha! Persophone .



Full Credits & HD Shots: Persophone.


・゚` 🎀 Featuring: 🎀 `゚・


CAZIMI *Infatuation Eyes.


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Beauty at dusk taking a photo of "Maman", a giant spider bronze by Louise Bourgeois (1999) standing in the back of the Guggenheim Museum, alongside the Nervión river in Bilbao.


The cloud on top left is generated by the thousand fog nozzles and high-pressure pump/motor system of "Fog Sculpture # 08025 (F.O.G.)" (1998), by Fujiko Nakaya, which fires several times a day for a few minutes.


Copyright info & reproduction rights.

Photo ref: j72_7655-64-ps2

"The Bourgeois District"


Douchanbé (Asie Centrale - Tadjikistan)


Website :


"Copyright © – Patrick Bouchenard

The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."

Viewed on cloudy January first, the sunny, six days later....

Since I do not believe in the principle of copyright all my shots can be downloaded and used free at will without any prior consent.

My main interest is in the people who pass through the exhibition space and in how they interact with the exhibited objects. This has two main aspects - how they more or less consciously engage with the exhibits but also how their appearance (posture, clothing, hair...) might be related to aspects of the objects around them. So what I'm after is the ephemeral and unrepeatable conjunction of spectator and exhibit.


The bourgeois was the local director of a fur-trade post in North America. Details varied by company and time but they normally earned an annual salary while also having some stake in the company.


The rank-and-file employees were "engagés," typically engaged for a set period of three, five, or seven years, again varying by company, time, place, and individual.


This building, like all of Fort Union Trading Post, is a reconstruction based on archaeology and contemporary drawings. It houses the visitor center, administrative offices, and has modern conveniences.

Da sinistra :

Untitled - 1996 - mixedmedia sewn on fabric handkerchief ;

Femme Maison - 1946/47 - oil and ink on linen ;

Femme Maison - 1945/47 - oil and ink on canavas ;

Femme Maison - 1946/47 - oil and ink on linen.


Io devo molto a Louise Bourgeois del mio modo di vedere l'arte.

Le dedico questa piccola galleria che ho costruito proprio per lei.

Non sono riuscita a farci entrare le sue sculture :-), così mi sono accontentata di alcune opere bidimensionali.


Louise Bourgeois


View On Black


Antwerp, Belgium

Louise Bourgeois in Serralves.

The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. My family was in the business of tapestry restoration, and my mother was in charge of the workshop. Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother.


— Louise Bourgeois[5]

Tom Clancy's The Division

Cinematic Tools by HattiWatti

ReShade 1.1

SRWE for Hotsampling

Villa Römer / Opladen / Leverkusen / North Rhine-Westphalia / Germany


Album of Germany (the west):

Paris - Rue des Francs Bourgeois

Sculpture by Louise Bourgeois, Massachusetts Museum of Contemporary Art. Hasselblad X1D.


La araña Mamá (Maman) de Louise Bourgeois, se encuentra en la parte posterior del Museo ,

Maman mide 10 metros de altura y 10 de diámetro y la gente puede pasear bajo su gigantesco cuerpo

Ahora una semana sin poner fotos en el flickr ...descaso veraniego

entrée du centre suisse, rue des Francs Bourgeois, après une légère pluie, aquarelle et crayon



Mamá (Maman), de casi 9 metros de altura, es una de las esculturas más ambiciosas de Bourgeois y pertenece a una serie inspirada en la araña, motivo que apareció por primera vez en varios dibujos realizados por la artista en la década de 1940 y ocupó un lugar central en su obra durante la década de 1990. Las arañas, que Bourgeois presenta como un homenaje a su madre, que era tejedora, ponen de manifiesto la duplicidad de la naturaleza de la maternidad: la madre es protectora y depredadora al mismo tiempo. La araña utiliza la seda tanto para fabricar el capullo como para cazar a su presa, así que la maternidad encarna fortaleza y fragilidad. Estas ambigüedades se ven intensamente reflejadas en esta Mamá gigantesca, que se sostiene ominosamente sobre unas patas que semejan arcos góticos y que funcionan al mismo tiempo como jaula y como guarida protectora de una bolsa llena de huevos que se encuentran peligrosamente adheridos a su abdomen. La araña provoca pavor y miedo pero su gran altura, sorprendentemente equilibrada sobre unas ligeras patas, transmite una vulnerabilidad casi conmovedora.

°=° Cologne, District Rodenkirchen, Riverside.

Time Journey, January-03-2018

(sorry for the lack of contrast, original is just readable...)


Mont des Arts, Brussels

Paris - Canal St Martin - Konica Hexanon AR 135mm f/3.2

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